Oops They Did It Again Industry

2000 studio album by Britney Spears

Oops!... I Did It Again
Britney Spears - Oops!... I Did It Again.png
Studio album by

Britney Spears

Released May 3, 2000 (2000-05-03)
Recorded 1999–2000
Studio
  • 3rd Floor
  • Avatar Studios
  • Battery Studios
  • Electric Lady Studios, New York Urban center
  • East Bay Recording, Tarrytown
  • Pacifique Recording Studios, Hollywood
  • Rarc Studios, Orlando
  • Cheiron Studios, Stockholm
  • La Tour-de-Peilz, Switzerland
Genre
  • Pop
  • trip the light fantastic toe-pop
  • teen pop
Length 44:37
Label Jive
Producer
  • Timmy Allen
  • Larry "Rock" Campbell
  • Barry J. Eastmond
  • Jake
  • Robert "Esmail" Jazayeri
  • Rodney Jerkins
  • David Kreuger
  • Robert John "Mutt" Lange
  • Kristian Lundin
  • Steve Lunt
  • Per Magnusson
  • Max Martin
  • Rami
  • Paul Umbach
  • Eric Foster White
Britney Spears chronology
...Baby One More than Fourth dimension
(1999)
Oops!... I Did Information technology Again
(2000)
Britney
(2001)
Singles from Oops!... I Did It Again
  1. "Oops!... I Did It Again"
    Released: Apr 11, 2000
  2. "Lucky"
    Released: July 25, 2000
  3. "Stronger"
    Released: October 31, 2000
  4. "Don't Let Me Exist the Final to Know"
    Released: March 12, 2001

Oops!... I Did Information technology Once more is the second studio anthology by American singer Britney Spears released on May 3, 2000, through Jive Records. Though much in the vein of her debut album ...Baby One More Fourth dimension (1999), it is a pop, trip the light fantastic toe-pop, and teen pop tape, the anthology incorporates a more funkier and R&B sounds.[1] Contributions to the album'south product came from a broad range of producers, including Max Martin, Rami Yacoub, Per Magnusson, David Kreuger, Kristian Lundin, Jake Schulze, Darkchild, and Robert John "Mutt" Lange.[2]

Upon its release, Oops!... I Did It Once again received positive reviews from music critics, who praised its production, sonic quality and Spears' vocal performance. The anthology became a massive commercial success, debuting at number one in over fifteen countries while peaking inside the acme ten in diverse others. In the United States, it debuted at number one on the Billboard 200, with offset-week sales of 1.39 million copies, becoming the fastest selling album by a female person artist since Nielsen SoundScan began tracking betoken-of-sale music purchases in 1991.[iii] This record was cleaved fifteen years afterward by Adele's 25, which sold over 3.38 million copies in its first calendar week of release.[4]It became Spears' second consecutive album to be certified Diamond by the Recording Industry Association of America, denoting sales of over ten meg copies in the United States, making Spears at age eighteen the youngest creative person to have multiple diamond albums.[v] With worldwide sales of over 20 million copies,[half dozen] Oops!... I Did It Again is 1 of the best-selling albums of all-time.

4 singles were released to promote the anthology. Its title rails was commercially successful in a number of territories, reaching number one in fifteen countries and peaking at number nine on the The states Billboard Hot 100. Its second unmarried, "Lucky", peaked at number 1 in Austria, Deutschland, Sweden and Switzerland, within the acme ten in Australia, Kingdom of belgium, Canada, Denmark, Republic of ireland, Italia, holland, New Zealand, Kingdom of norway, Poland, Romania and the United Kingdom, and at number twenty-iii on the Usa Billboard Hot 100. Its 3rd single, "Stronger", reached the top ten in Austria, Finland, Germany, Poland, Romania, Sweden, Switzerland and the Uk, and peaked at number 11 on the U.s. Billboard Hot 100. "Stronger" became the highest-selling single off the album, receiving a Gold certification in Commonwealth of australia, Kingdom of denmark, Germany, New Zealand, Sweden, and the United States. Its last unmarried, "Don't Let Me Be the Last to Know", was moderately successful on the charts, peaking at number 1 in Romania, and within the tiptop x in Austria, Poland, and Switzerland, just failed to chart on the United states Billboard Hot 100. To promote the anthology, Spears performed on several television set shows and accolade ceremonies, including a controversial functioning at the 2000 MTV Video Music Awards. She too was the host and musical guest for the starting time fourth dimension on Saturday Dark Alive. Furthermore, Spears embarked on a concert bout, entitled the Oops!... I Did It Again Tour, starting on June 20, 2000 and ending at the Rock in Rio festival on January 18, 2001.

Recording and production [edit]

"When I did the starting time album, I had merely turned 16. I hateful, when I look at the album cover, I'm similar, 'Oh, my lordy.' I know this next album'due south going to exist totally different--especially the cloth. I but got finished recording the first half-dozen tracks in Sweden 2 months ago, and the fabric is so much more funkier and edgier. And, of course, it'southward more than mature considering I've grown as a person likewise."

—Spears on the progression of her material for the album.[7]

After vacationing for six days following the completion of the ...Baby One More Fourth dimension Tour in September 1999,[8] Spears returned to New York City to begin recording songs for her next anthology; the majority of the recording took place in November. It featured contributions from Max Martin, Eric Foster White, Diane Warren, Robert Lange, Steve Lunt, and Babyface.[9] The songs "Oops!... I Did Information technology Once more", "Walk on Past" (later covered by Gareth Gates), "What U See (Is What U Get)", and "Don't Go Knockin' on My Door" were the first to be recorded at Martin'due south Cheiron Studios in the first calendar week of November; followed past "Stronger" and "Lucky", which were finalized (along with the title runway) in Jan 2000. Spears recorded "Don't Let Me Exist the Last to Know" at Robert Lange'due south villa in Switzerland in December 1999; Lange produced the vocal.[x] "Where Are You Now" was an outtake from ...Baby One More than Time. "Girl in the Mirror" and "Tin can't Make You Love Me"'southward instrumental track and melody were recorded in the autumn of 1999 in Sweden, with Spears recording the vocals in mid-January at Parc Studios in Orlando, Florida.[11] [12] Spears returned to New York, linking up with producer Steve Lunt to record Diane Warren's "When Your Eyes Say Information technology" at Battery Studios on Friday, January 28, 2000, which preceded her TRL appearance that day. "I Kiss from You" was also recorded at Battery Studios but was later on finished at 3rd Flooring in New York City. Spears likewise recorded the last rail for the album "Dear Diary" which would later exist completed at East Bay Recording in Tarrytown, New York and at Avatar Studios in New York Metropolis. Another vocal recorded during these sessions was "Heart". Her cover of "(I Can't Get No) Satisfaction" was recorded with Rodney Jerkins at Pacifique Recording Studios in Hollywood, California during February 24–26, 2000 after attending the 42nd Annual Grammy Awards.[13]

By January, the and so-untitled album was halfway to completion; Spears had worked on information technology primarily in the Us and Sweden, and finalized textile in New York City.[9] She was heavily pressured later ...Baby One More Time 's huge commercial success, stating: "Information technology's kind of difficult following ten million, I take to say. Only later listening to the new fabric and recording it, I'thou really confident with information technology."[14] Upon the release of Oops!...I Did It Once again, Spears said: "I mean, of course there's some force per unit area", and added: "Merely in my opinion, [Oops!] is a lot better than the first anthology. It's edgier – it has more of an attitude. It'due south more than me, and I remember teenagers volition relate to it more." Geoff Mayfield, director of Billboard charts, added that the decision to release Oops!... I Did It Again less than a twelvemonth and a half subsequently Spears' debut amounts to "very smart timing. My philosophy is when you have a immature fan base, get 'em while they're hot."[xv]

Music and lyrics [edit]

Oops!... I Did It Once more was considered as a sequel to Spears' debut album, ...Babe I More than Time (1999),[one] percolating with a carefully measured blend of familiar pop, funk, R&B and power balladry.[xvi] Spears said during an interview that the album has a more mature, R&B-flavored pop sound. "Information technology's not something I changed purposefully", Spears said of the album's sound and added: "It's just something that kind of changed on itself with me being older. My voice has inverse a piddling bit and I'm more than confident, and I think that comes across on the material."[7] One of its producers, Rodney "Darkchild" Jerkins talked about working with Spears on a Rolling Stones cover, stating: "It'southward going to shock everybody", adding: "It has flavors of the original, merely it'southward a direct 2000 version — new to the ear. Which I think is cool, because people who appreciate that song are going to honey it. And I fabricated it so new and young that the young kids that love Britney are going to dear information technology. Information technology'south going to grab both a mature and immature audition."[17] Spears worked with Robert "Mutt" Lange on "Don't Let Me Be the Last to Know", telling MTV News: "When you hear the song, it'due south so pure and delicate. It's just 1 of those songs that pull y'all in", and added: "I think they wrote information technology 'especially for me, because the lyrics of the song, if yous really listen … they're more than of what I can relate to, 'cause they're kind of young lyrics, I think. I don't think Shania would probably sing some of the words that I'm proverb."[17]

The title track and opening song, "Oops!... I Did Information technology Over again", was compared to her debut single, "...Babe One More than Fourth dimension" (1998), featuring a slap-and-pop bassline, synthesizer chord stabs and a mechanized beat. Lyrically, the vocal sees Spears alert to an overeager prospective lover: "Oops, yous think I'thousand in love/That I'grand sent from above — I'thousand not that innocent."[18] The song as well breaks down for a spoken-give-and-take interlude, involving a line from the film Titanic (1997).[18] The second track "Stronger" is a synthpop[xix] and R&B-infused runway,[17] which is lyrically a declaration of independence, where Spears leaves a partner who treats her like property.[xx] The line "my loneliness ain't killing me no more" makes reference to the verse "my loneliness is killing me" from her song "...Baby Ane More than Time".[17] Another R&B-infused rail, which likewise adds a bit more funk to the mix,[17] "Don't Get Knocking on My Door" finds Spears confidently forging ahead later a breakdown.[20] The fourth runway, a cover of the Rolling Stones' "(I Can't Become No) Satisfaction", begins with mushy guitar plucking and breathy coos, until a dry, crackling lockstep is thrown down, turning the song into an urban stomp.[21] The trip the light fantastic-pop version likewise jettisons the song's final poesy and adds some new lyrics[17] ("how white my shirts could be" becomes "how tight my skirt should be").[22] "[It] was my idea [to record the vocal]", Spears said. "I was just like, 'I similar this song,' and I call up it will be a really absurd combination working with [hip-hop producer] Rodney [Jerkins] and doing a really funky vocal like that."[13] The fifth rails, "Don't Let Me Exist the Last to Know", was co-written by country-pop vocaliser-songwriter Shania Twain and her then-husband, producer Robert "Mutt" Lange, who also produced the track.[17] The ballad, which boasts a slinky keyboard riff and Lange's characteristically lavish production, finds Spears assuasive a bit of country twang into her vocals as she begs a lover to reveal his feelings: "My friends say you're into me ... just I need to hear information technology directly from yous", she sings.[17]

The sixth track "What U See (Is What U Get)" demands respect by rebuking a jealous partner,[20] while the 7th runway, "Lucky", is a heart-rending tale of a Hollywood starlet'south loneliness, proving that fame tin be empty.[20] "If in that location'southward nothing missing in my life/Then why practice these tears come at night?", she asks.[19] "School crush" is the theme of "One Osculation from Yous",[20] a track that has a reggae-style beat and lyrics nearly the feelings of falling in dearest, and the quickness of it,[23] with Spears cooing that after only one kiss she sees her unabridged future with her lover.[24] The ballad "Where Are You Now" talks about wanting to know where a previous love is, and what that person is up to, so that she can finally permit them become and notice closure.[ citation needed ] Lines on "Can't Brand You lot Love Me", a Europop song,[21] state that fancy cars and money pale in comparison to true love,[20] with Spears singing: "I'm merely a girl with a crush on yous."[21] The mid-tempo, synth-backed "When Your Eyes Say It", written by songwriter Diane Warren, combines a string section with a loping hip hop beat,[17] while Spears makes her own songwriting debut on the modest, keyboard-driven ballad "Dear Diary", which she said is autobiographical. On the track, she sings of wanting to become "so much more than than friends" with a male child.[17]

Release and promotion [edit]

In tardily 1999, Spears promoted her upcoming anthology in Europe with alive performances of her past songs. She appeared on Smash Hits in the United kingdom.[25] In Italian republic, she did a short interview on the television show TRL Italy in early 2000.[25] and gave a surprise performance in Paris in May 2000.[26] In Australia, Spears appeared on The House of Hits and Russell Gilbert Live on May thirteen.[25] In Espana, she gave an interview with El Rayo on September eight and October 24.[25] Spears performed at large venues in the United Kingdom, including Birmingham, the Wembley Arena in London, and the Manchester Evening News Loonshit. She was accompanied past NSYNC, who toured with her during a brusk United kingdom outing in Oct 2000.[26]

Oops!... I Did It Again was starting time released in Japan on May iii, 2000, and was afterward released in the United states of america on May sixteen. In the United States, Spears appeared on Sabbatum Nighttime Live on May thirteen, The Rosie O'Donnell Show on May xv, and Teen People's 25 Under 25 on May 26.[27] On May 10, she was interviewed on Late Night with Conan O'Brien.[25] On May 13, Spears was both the host and musical guest on NBC's Saturday Dark Live. She likewise performed on NBC'southward The Tonight Prove with Jay Leno on May 23.[28] Spears' held her mail-TRL listening party, "Britney's First Listen", on May 16, and was toast the arrival of her album on next Tuesday'southward installment of TRL that started at three:xxx p.thou. (ET).[29] On May 14, she was at Times Foursquare studios for ii hours of "Britney Live" that started at noon.[29] Spears performed "Oops!... I Did It Once more" on MTV's All Access: Backstage with Britney that was circulate on July nineteen, 2000.[25] On September seven, at the 2000 MTV Video Music Awards in New York City at the Radio City Music Hall, Spears gave a memorable live performance.[30] which included a cover of the Rolling Stones's hit single "(I Tin't Get No) Satisfaction" (1965) and her ain hit "Oops!... I Did It Over again", released earlier that year. While she began her segment in a black adapt, she shocked the audience and the media while, at merely the age of eighteen, ripped information technology off to display a revealing, flesh-colored stage outfit with hundreds of strategically placed Swarovski crystals.[31] One calendar month earlier the release of the anthology, Spears headed to Hawaii on Easter Sunday then she could tape a Fox television special titled Britney Spears in Hawaii. The free concert was held on the beach in forepart of the Hilton Hawaiian Village lagoon in Honolulu, Hawaii.[32] The Fox concert outcome was intended to serve as a preview of Spears' Oops!... I Did It Again anthology that features her twelve new songs.[32] Spears had on a month-long international promotional tour in back up of Oops!... I Did It Again, and on May two, she had a printing event at Kokusai Forum Hall in Tokyo, and made stops in both London and Hawaii.[33] Spears was too among the scheduled performers on the 42nd Almanac Grammy Awards, which aired on CBS at 8 p.m. (ET/PT).[34] She was too expected to announced on a Grammy-solar day TRL.[34]

The album'southward supporting bout, the Oops!... I Did It Again Bout, visited North America, Europe, and Brazil every bit role of Rock in Rio. On the Crazy 2k Tour, Spears introduced the songs "Oops!... I Did It Once more" and "Don't Allow Me Be the Final to Know". On June 24, 2000, Spears was featured in a print and television advertising campaign for Clairol's Herbal Essences shampoo line. In a special insurrection for Clairol, Spears recorded her own song for the brand called "I've Got the Urge to Herbal" that was featured in lx-2nd radio spots and was function of a pre-concert video presentation for Spears'southward 50-city summer concert tour, in which Herbal Essences was the bout sponsor.

Singles [edit]

"Oops!... I Did It Again" was released as the atomic number 82 unmarried from the album and achieved worldwide popularity. Information technology became Spears's third meridian-ten hit single on the US Billboard Hot 100, peaking at number nine; however, in comparison to the huge success of her debut single "...Infant One More Fourth dimension", Jive Records considered "Oops!... I Did It Again" a modest disappointment.[36] The song peaked at number ane on the United states Mainstream Meridian 40,[37] holding the record for the most radio additions in one twenty-four hour period. "Oops!... I Did It Again" peaked atop the charts in Australia, Belgium, Canada, Italy, the Netherlands, New Zealand, Kingdom of norway, Poland, Romania, Spain, Sweden, Switzerland and the United Kingdom.[38] An accompanying music video for "Oops!... I Did It Again" saw Spears on Mars in at present-iconic ruddy shiny catsuit, while she is visited by an American astronaut who easily her the fictional Middle of the Ocean jewel which Rose threw into the sea at the finish of Titanic.[39]

The album's second single, "Lucky", was released on July 25, 2000 and received positive response from the music critics, who considered one of her best offerings from the album. Commercially, "Lucky" topped the charts in Republic of austria, Federal republic of germany, Sweden and Switzerland, while reaching number five on the UK Singles Nautical chart.[xl] In the United States, "Lucky" merely managed to peak at number twenty-three on the Billboard Hot 100 nautical chart and at number nine on the Mainstream Top twoscore.[36] The "glittery" music video sees Spears as the narrator and an extra named Lucky, who is a melancholy movie star and shows her conflicted human relationship to fame.[41]

The third single, "Stronger", was released on October 31, 2000 and became the anthology's 2nd highest-charting single in the United states of america, peaking at number eleven on the Billboard Hot 100 and number ane on the Hot Single Sales.[36] It reached number seven on the Uk Singles Nautical chart.[42] Its music video sees Spears communicable her swain cheating on her at a futuristic turntable nightclub, driving off, getting in a wreck and singing in the rain,[41] while the chair sequence in the video was inspired by Janet Jackson's video for "The Pleasance Principle".[43]

The fourth and final single, "Don't Let Me Be the Last to Know", was released on March 12, 2001 and is one of Spears' favorite tracks of her career. In the United states, the vocal performed well below expectations, failing to chart on the Billboard Hot 100 nor the Mainstream Top 40. However, the song attained success in Europe, topping the Romanian Top 100 and peaking inside the top x in Austria, Poland and Switzerland, while just missing the summit ten in Germany, Ireland, Sweden and the U.k., peaking at number twelve in all of them.[44] The music video was considered too racy at the fourth dimension, portraying Spears in love scenes with her fictional boyfriend, played by French model Brice Durand.[45]

"You Got It All" received a promotional release in French republic in May 2000. A promotional CD unmarried for "When Your Eyes Say It" was released in the United kingdom in January 2001.[ citation needed ]

Disquisitional reception [edit]

Professional person ratings
Aggregate scores
Source Rating
Metacritic 72/100[47]
Review scores
Source Rating
AllMusic [ane]
Billboard favorable[16]
Christgau's Consumer Guide (choice cut) [48]
Amusement Weekly B[21]
Los Angeles Daily News [49]
MTV Asia 8/10[50]
NME 8/10[19]
Rolling Stone [22]
Salon favorable[51]
Sonic.internet [52]

Oops!... I Did It Again received favorable reviews from music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, Oops!... I Did It Again received an average score of 72, based on 12 reviews, indicating "generally favorable reviews".[53] Giving the album four out of five stars, Stephen Thomas Erlewine of AllMusic noted that the album "has the same combination of sweetly sentimental ballads and endearingly gaudy dance-pop that made 'I More Time'," just remarked that, "Fortunately, she and her product team non only accept a stronger overall set up of songs this time, but they also occasionally get carried abroad with the same bewildering magpie artful, [...] giv[ing] the anthology grapheme apart from the well-crafted dance-pop and ballads that serve equally its heart. In the end, it'due south what makes this an entertaining, satisfying listen."[1] Billboard magazine wrote that "'Oops!...' indicates that she's developing a soulful edge and emotional depth that can't be conjured with a glass-shattering note," praising the anthology for consistently cast[ing] Spears equally a immature adult female coming to terms with her inner ability—and that's a darn good message to offering an impressionable audience."[16] Entertainment Weekly'southward David Browne gave the album a B-rating, writing that the album "reminds us again that the best new pop can exist a blast of cool air in a stifling room."[21]

Rob Sheffield of Rolling Rock gave the album a three-and-a-half out of five stars rating, calling the album "fantastic pop cheese, with much better song-factory hooks than 'North Sync or BSB get", also noting that "the bully thing about Oops!, under the cheese surface, is complex, violent and downright scary, making her a true child of rock & curlicue tradition."[22] A writer of NME reported that "she's modern-day pop perfection realised in a nearly, human grade", commenting that "she's done it over again."[19] Lennat Mak of MTV Asia named it "a bright 2d album", writing that Spears "is armed with a more mature and seasoned popular star look, stronger and poppier songs, and of course, all-encompassing media exposure."[50] Andy Battaglia of Salon called the album "a masterpiece of sorts not for its message but for the way information technology applies the conventions of the popular-musical medium."[51] Website The A.5. Guild was more than mixed, calling it "a joyless bit of redundant, obvious, competent cheese, recycling itself at every turn and soliciting songwriting from such soulless hacks as Diane Warren and contrasted Swedes."[54]

Accolades [edit]

Commercial performance [edit]

In the United States, Oops!... I Did It Over again reportedly sold 500,000 copies in its starting time day of release.[60] Information technology debuted at number one on the Billboard 200 chart, with first-week sales of 1,319,193 copies.[61] [62] [63] With its success, Spears held the record for the highest outset-calendar week sales by a female artist.[64] This tape was held for 15 years, only to be surpassed in Nov 2015 by the album 25 by Adele, which sold over iii.38 million albums in the United states in its first week.[iv] The anthology fell to number two in its 2d week, with additional sales of 612,000 copies.[65] It held this position for xv consecutive weeks.[66] [67] By its 5th week of availability, Oops!... I Did It Again had sold over three million copies and had passed five million copies by August.[68] On its seventeenth week on the chart,[69] it was certified septuple Platinum by the Recording Industry Association of America (RIAA) for shipments of seven million units.[70] [71] The album spent fourscore-four weeks on the Billboard 200, 30-one weeks on the Canadian Albums Chart, and two weeks on the US Catalog Albums.[72] Oops!... I Did It Again debuted at number fourscore-2 on the European Pinnacle 100 Albums, and quickly peaked at number one;[73] it sold over four million copies within the continent, existence certified 4-times Platinum by the International Federation of the Phonographic Industry.[74] Oops!... I Did It Over again reached number two on the Great britain Albums Chart,[38] selling 88,000 copies in the get-go week of release; information technology remained in the top 5 for four weeks. The anthology debuted at number ane in Canada, selling 95,275 copies in its first week.[75]

Information technology topped the French Albums Chart[76] and the German Offizielle Top 100, too beingness certified triple Platinum by the British Phonographic Industry (BPI),[77] double Gold by the Syndicat National de l'Édition Phonographique (SNEP)[78] and triple Platinum by Bundesverband Musikindustrie (BVMI),[79] denoting shipments to retailers of 900,000 units, 200,000 copies sold and 900,000 units shipped, respectively. Additionally, the album debuted at number two on the Australian Albums Chart, and spent ten weeks in the top twenty;[80] information technology became the fourteenth highest-selling of 2000 in the country and was certified double Platinum by the Australian Recording Industry Association (ARIA) the following yr after shipping 140,000 copies to retailers.[81] [82] Oops!... I Did It Again opened at number three on the New Zealand Albums Chart and was certified Gold afterwards just one calendar week on the chart.[83] The Recording Industry Clan of New Zealand (RIANZ) ultimately certified it double Platinum.[84] Oops!... I Did It Again became the third best-selling album of 2000 in the United States, selling vii,893,544 albums according to Nielsen SoundScan[85] and quaternary best-selling album according to Billboard Yr-End of 2000.[86] On January 24, 2005, the album was certified decuple Platinum (Diamond) by the Recording Manufacture Clan of America (RIAA).[87] [88] Too, the album landed at number twenty-7 on BMG Music Club all-time all-time-sellers list with 1.21 million units, behind Shania Twain'south The Woman in Me (1.24 meg) and Nirvana's Nevermind (1.24 million).[89] As of July 2009, the anthology has sold ix,184,000 copies in the United States, excluded copies sold through clubs, such as the BMG Music Service.[90] Worldwide, Oops!... I Did It Again sold ii.5 one thousand thousand copies in its start week (2d highest first week sales by a female person artist worldwide) and sold 15 meg copies by the end of the year. Information technology was the best-selling female album and 3rd best selling album of 2000. The album has sold twenty million copies worldwide.[6]

Controversy [edit]

Musicians Michael Cottril and Lawrence Wnukowski filed a copyright example against Spears, Zomba Recording Corporation, Jive Records, Wright Entertainment Group and BMG Music Publishing, challenge Spears' "What U Come across (Is What U Get)" and "Can't Brand Yous Love Me" are "virtually identical" to i of their songs. Cottrill and Wnukowski claimed that they authored, recorded and copyrighted a song called "What You Run into Is What You Get" in 1999 to i of Spears' representatives for consideration on a hereafter album, though it was rejected.[91] The example was after dismissed later information technology was ruled that they lacked sufficient evidence and that there "weren't enough similarities betwixt the two songs to testify copyright infringement."[92]

Track list [edit]

Oops!... I Did It Again  – Due north American edition[93]
No. Title Writer(s) Producer(s) Length
1. "Oops!... I Did It Again"
  • Max Martin
  • Rami Yacoub
  • Martin
  • Yacoub
3:31
2. "Stronger"
  • Martin
  • Yacoub
  • Martin
  • Yacoub
3:23
three. "Don't Go Knockin' on My Door"
  • Martin
  • Yacoub
  • Jake Schulze
  • Alexander Kronlund
  • Jake
  • Yacoub
three:43
4. "(I Can't Go No) Satisfaction"
  • Mick Jagger
  • Keith Richards
Rodney Jerkins four:23
5. "Don't Let Me Be the Last to Know"
  • Robert John "Mutt" Lange
  • Shania Twain
  • Keith Scott
Lange 3:50
vi. "What U Run across (Is What U Get)"
  • Per Magnusson
  • David Kreuger
  • Jörgen Elofsson
  • Yacoub
  • Magnusson
  • Kreuger
  • Yacoub
3:36
7. "Lucky"
  • Martin
  • Yacoub
  • Kronlund
  • Martin
  • Yacoub
3:26
viii. "One Kiss from Yous" Steve Lunt
  • Lunt
  • Larry "Stone" Campbell
three:23
nine. "Where Are You Now"
  • Martin
  • Andreas Carlsson
  • Martin
  • Yacoub
4:39
x. "Can't Make You Honey Me"
  • Kristian Lundin
  • Carlsson
  • Martin
  • Lundin
  • Jake
3:17
11. "When Your Eyes Say Information technology" Diane Warren
  • Lunt
  • Robert "Esmail" Jazayeri
  • Paul Umbach[a]
4:29
12. "Dear Diary"
  • Britney Spears
  • Jason Blume
  • Eugene Wilde
  • Timmy Allen
  • Barry J. Eastmond
2:46
Total length: 44:37
Oops!... I Did Information technology Again  – International edition[94]
No. Title Writer(s) Producer(s) Length
12. "Girl in the Mirror" Elofsson
  • Magnusson
  • Kreuger
iv:06
xiii. "Beloved Diary"
  • Spears
  • Blume
  • Wilde
  • Allen
  • Eastmond
2:46
Total length: 48:24
Oops!... I Did Information technology Again  – Asian edition[95]
No. Title Writer(s) Producer(s) Length
11. "When Your Eyes Say It" Warren
  • Lunt
  • Jazayeri
  • Umbach[a]
4:06
12. "Girl in the Mirror" Elofsson
  • Magnusson
  • Kreuger
3:36
13. "You Got It All" Rupert Holmes Eric Foster White 4:43
14. "Dear Diary"
  • Spears
  • Blume
  • Wilde
  • Allen
  • Eastmond
ii:46
Full length: 52:33
Oops!... I Did It Again  – Japanese, Australian, Mexican, Asian and United kingdom special edition[96] [97]
No. Title Writer(southward) Producer(s) Length
11. "When Your Eyes Say It" Warren
  • Lunt
  • Jazayeri
  • Umbach[a]
iv:06
12. "Girl in the Mirror" Elofsson
  • Magnusson
  • Kreuger
iii:36
thirteen. "You Got It All" Holmes White four:10
fourteen. "Heart"
  • George Teren
  • Wilde
  • Lunt
  • Campbell
3:31
15. "Beloved Diary"
  • Spears
  • Blume
  • Wilde
  • Allen
  • Eastmond
2:46
Full length: 55:34
Oops!... I Did It Again  – Australian special edition (bonus disc)[98]
No. Title Length
1. "Don't Allow Me Be the Last to Know" (Album version) 3:fifty
2. "Don't Let Me Exist the Last to Know" (Hex Hector Radio Mix) 4:01
3. "Don't Let Me Be the Terminal to Know" (Hex Hector Guild Mix) 10:12
iv. "Stronger" (MacQuayle Mix Testify Edit) v:21
5. "Stronger" (Pablo La Rosa's Tranceformation) vii:21
half-dozen. "Oops!... I Did It Over again" (Music video) iv:11
seven. "Lucky" (Music video) iv:07
8. "Stronger" (Music video) 3:37
9. "Don't Let Me Exist the Last to Know" (Music video) 3:51
Full length: 30:52
Oops!... I Did Information technology Again  – Asian special edition (bonus disc)[99]
No. Title Length
one. "Oops!... I Did It Again" (Music video) iv:20
2. "Lucky" (Music video) 4:14
iii. "Stronger" (Music video) 3:47
4. "Oops!... I Did It Again" (Karaoke) 4:17
v. "Lucky" (Karaoke) iv:18
6. "Stronger" (Karaoke) three:46
Total length: 25:25

Notes

  • Rail 4, "(I Tin't Get No) Satisfaction" is a cover of the 1965 Rolling Stones single.
  • ^a signifies a vocal producer

Personnel [edit]

Credits adapted from AllMusic.[100]

  • Britney Spears – vocals, background vocals, spoken words, concept
  • Steve Lunt - A&R, composer, producer, string arrangements
  • Jeanne LeBlanc – cello
  • Jesse Levy – cello
  • Kermit Moore – cello
  • Eugene J. Moye – cello
  • Harvey Stonemason, Sr. – editing
  • Bobby Brown – assistant engineer
  • Flip Osman – assistant engineer
  • Clayton Wood – banana engineer
  • Anthony Ruotolo – assistant engineer
  • Alfred Bosco – assistant engineer
  • Shane Stoneback – assistant engineer
  • Charles McCrorey – engineer, assistant engineer
  • Michel Gallone – engineer, mixing engineer
  • Chris Trevett – engineer, vocal engineer, mixing engineer
  • Eric Gast – engineer
  • Tim Donovan – engineer
  • Harvey Mason, Jr. – engineer
  • Dan Gellert – engineer
  • John Amatiello – engineer
  • Stephen George – mixing engineer
  • Dexter Simmons – mixing engineer
  • Chris Tergesen – cord engineer
  • Michael Tucker – vocal engineer
  • Jackie Murphy – art management, design
  • Marking Seliger – back cover, embrace photograph
  • Larry "Rock" Campbell – bass, guitar, producer, pulsate programming
  • Marji Danilow, Judith Sugarman, Thomas Lindberg – bass
  • Esbjörn Öhrwall – guitar
  • Johan Carlberg – guitar
  • Michael Thompson – guitar
  • Kali – hair stylist
  • Gloria Agostini – harp
  • Max Martin – keyboards, programming, producer, mixing engineer, spoken discussion
  • Robert "Esmail" Jazayeri – keyboards, producer, drum programming
  • Per Magnusson – keyboards, programming, producer, mixing engineer
  • Jake – keyboards, programming, producer, mixing engineer
  • Kristian Lundin – keyboards, programming, producer, mixing engineer
  • Rami – keyboards, programming, producer, mixing engineer
  • David Kreuger – keyboards, programming, producer, mixing engineer
  • Kent Wood – keyboards
  • Elan Bongiorno – make-upward
  • Johnny Wright – management
  • Tom Coyne – mastering
  • Nigel Green – mixing
  • Jon Ragel – photography
  • Barry Eastmond – piano, conductor, keyboards, producer, engineer, orchestral arrangements
  • Rodney Jerkins – producer, engineer, song arrangement, mixing engineer
  • Robert John – producer
  • Timmy Allen – producer
  • Richard Meyer aka Swayd – programming
  • Cory Churko – programming
  • Kevin Churko – programming
  • William Meade – string coordinator
  • Hayley Hill – stylist
  • Alfred 5. Chocolate-brown – viola, orchestra contractor
  • Julien Barber – viola
  • Olivia Koppell – viola
  • Harry Zaratzian – viola
  • Maxine Roach – viola
  • Stephanie Baer – viola
  • Richard Henrickson – violin, concertmaster
  • Sanford Allen – violin
  • Belinda Whitney-Barratt – violin
  • Sandra Billingslea – violin
  • Winterton Garvey – violin
  • Gerald Tarack – violin
  • Joyce Hammann – violin
  • Stanley Hunte – violin
  • Regis Iandiorio – violin
  • Factor Orloff – violin
  • Marion Pinhiero – violin
  • Marti Sugariness – violin
  • Amahid Ajemian – violin
  • Xin Zhao – violin
  • Margaret Magill – violin
  • Ashley Horne – violin
  • Nikki Gregoroff – groundwork vocals
  • Audrey Martells – groundwork vocals
  • Nana Hedin – background vocals
  • Darryl Anthony – background vocals
  • Nora Payne – background vocals
  • Jeanette Söderholm – background vocals
  • Therese Ancker – groundwork vocals
  • Charlotte Björkman – background vocals
  • Andres Von Hofsten – background vocals
  • Nina Woodford – background vocals
  • Mona Yacoub – background vocals
  • Jeanette Olsson – background vocals
  • Stephanie Baer – background vocals

Charts [edit]

Certifications and sales [edit]

Release history [edit]

See also [edit]

  • List of best-selling albums
  • List of best-selling albums past women
  • List of best-selling albums in the United States
  • Listing of fastest-selling albums

Notes [edit]

  1. ^ As of December 2010, Oops!...I Did It Again has sold ix,201,000 copies in the United States co-ordinate to Nielsen SoundScan,[186] with additional 1,210,000 copies sold at BMG Music Clubs.[89] Nielsen SoundScan does not count copies sold through clubs similar the BMG Music Service, which were significantly popular in the 1990s.[ninety]

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Bibliography [edit]

  • Salaverri, Fernando (2005). Sólo éxitos. Año a año. 1959-2002 [Only Hits. Year by year. 1959-2002] (in Castilian). Madrid, Kingdom of spain: Iberautor Promociones Culturales. p. 943. ISBN9788480486392.

External links [edit]

  • Official website

godwinthourojece.blogspot.com

Source: https://en.wikipedia.org/wiki/Oops%21..._I_Did_It_Again_%28album%29

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